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Sandro Botticelli
Italian Early Renaissance Painter, 1445-1510 Italian painter and draughtsman. In his lifetime he was one of the most esteemed painters in Italy, enjoying the patronage of the leading families of Florence, in particular the Medici and their banking clients. He was summoned to take part in the decoration of the Sistine Chapel in Rome, was highly commended by diplomatic agents to Ludovico Sforza in Milan and Isabella d Este in Mantua and also received enthusiastic praise from the famous mathematician Luca Pacioli and the humanist poet Ugolino Verino. By the time of his death, however, Botticelli s reputation was already waning. He was overshadowed first by the advent of what Vasari called the maniera devota, a new style by Perugino, Francesco Francia and the young Raphael, whose new and humanly affective sentiment, infused atmospheric effects and sweet colourism took Italy by storm; he was then eclipsed with the establishment immediately afterwards of the High Renaissance style, which Vasari called the modern manner, in the paintings of Michelangelo and the mature works of Raphael in the Vatican. From that time his name virtually disappeared until the reassessment of his reputation that gathered momentum in the 1890s

 

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Sandro Botticelli The Birth of Venus oil painting

Painting ID::  124

X 
 

Sandro Botticelli
The Birth of Venus
1480 Galleria degli Uffizi, Florence
   
   
     

 

 

Sandro Botticelli The Return of Judith oil painting

Painting ID::  126

X 
 

Sandro Botticelli
The Return of Judith
1470 Galleria degli Uffizi, Florence
   
   
     

 

 

Sandro Botticelli Portrait of a Man with a Medal oil painting

Painting ID::  127

X 
 

Sandro Botticelli
Portrait of a Man with a Medal
Galleria degli Uffizi, Florence
   
   
     

 

 

Sandro Botticelli The Discovery of the Body of Holofernes oil painting

Painting ID::  128

X 
 

Sandro Botticelli
The Discovery of the Body of Holofernes
Galleria degli Uffizi, Florence
   
   
     

 

 

Sandro Botticelli The Adoration of the Magi oil painting

Painting ID::  129

X 
 

Sandro Botticelli
The Adoration of the Magi
1475 Galleria degli Uffizi, Florence
   
   
     

 

 

Sandro Botticelli Pallas and the Centaur oil painting

Painting ID::  130

X 
 

Sandro Botticelli
Pallas and the Centaur
Galleria degli Uffizi, Florence
   
   
     

 

 

Sandro Botticelli Primavera oil painting

Painting ID::  131

X 
 

Sandro Botticelli
Primavera
1477-80 Galleria degli Uffizi, Florence
   
   
     

 

 

Sandro Botticelli Portrait of a Young Man_b oil painting

Painting ID::  132

X 
 

Sandro Botticelli
Portrait of a Young Man_b
National Gallery, London
   
   
     

 

 

Sandro Botticelli Venus and Mars oil painting

Painting ID::  133

X 
 

Sandro Botticelli
Venus and Mars
National Gallery, London
   
   
     

 

 

Sandro Botticelli Madonna and Child with an Angel oil painting

Painting ID::  134

X 
 

Sandro Botticelli
Madonna and Child with an Angel
Isabella Stewart Gardner Museum, Boston
   
   
     

 

 

Sandro Botticelli Panel II of The Story of Nastagio degli Onesti oil painting

Painting ID::  135

X 
 

Sandro Botticelli
Panel II of The Story of Nastagio degli Onesti
1483 Museo del Prado, Madrid
   
   
     

 

 

Sandro Botticelli Madonna and Child, Two Angels and the Young St. John the Baptist oil painting

Painting ID::  9993

X 
 

Sandro Botticelli
Madonna and Child, Two Angels and the Young St. John the Baptist
c.1467. Tempera on panel Galleria dell' Accademia
   
   
     

 

 

Sandro Botticelli Madonna della Loggia oil painting

Painting ID::  9994

X 
 

Sandro Botticelli
Madonna della Loggia
1467Tempera on panel Galleria dell' Accademia
   
   
     

 

 

Sandro Botticelli Madonna in Glory oil painting

Painting ID::  9995

X 
 

Sandro Botticelli
Madonna in Glory
1469-1470. Tempera on panel Galleria degli Uffizi
   
   
     

 

 

Sandro Botticelli Madonna of the Rosegarden oil painting

Painting ID::  9996

X 
 

Sandro Botticelli
Madonna of the Rosegarden
1470 Tempera on panel Galleria degli Uffizi
   
   
     

 

 

Sandro Botticelli Madonna of the Eucharist oil painting

Painting ID::  9998

X 
 

Sandro Botticelli
Madonna of the Eucharist
c.1470 Tempera on panel Isabella Stewart Gardner Museum Boston, MA, USA.
   
   
     

 

 

Sandro Botticelli Fortitude oil painting

Painting ID::  9999

X 
 

Sandro Botticelli
Fortitude
c.1470. Tempera on panel Galleria degli Uffizi Florence, Italy
   
   
     

 

 

Sandro Botticelli Madonna and Child with Six Saints oil painting

Painting ID::  10000

X 
 

Sandro Botticelli
Madonna and Child with Six Saints
1470 Tempera on panel Galleria degli Uffizi Florence, Italy
   
   
     

 

 

Sandro Botticelli Sebastian oil painting

Painting ID::  10001

X 
 

Sandro Botticelli
Sebastian
1474 Tempera on panel Staatliche Museen Preubischer Kulturbesitz, Gemaldegalerie Berlin, Germany
   
   
     

 

 

Sandro Botticelli Portrait of a Lady oil painting

Painting ID::  10002

X 
 

Sandro Botticelli
Portrait of a Lady
1470-1475. Tempera on panel Victoria and Albert Museum,London,UK.
   
   
     

 

  1  2  3  4  5  6  7  8  9  10     Next

 

Sandro Botticelli
Italian Early Renaissance Painter, 1445-1510 Italian painter and draughtsman. In his lifetime he was one of the most esteemed painters in Italy, enjoying the patronage of the leading families of Florence, in particular the Medici and their banking clients. He was summoned to take part in the decoration of the Sistine Chapel in Rome, was highly commended by diplomatic agents to Ludovico Sforza in Milan and Isabella d Este in Mantua and also received enthusiastic praise from the famous mathematician Luca Pacioli and the humanist poet Ugolino Verino. By the time of his death, however, Botticelli s reputation was already waning. He was overshadowed first by the advent of what Vasari called the maniera devota, a new style by Perugino, Francesco Francia and the young Raphael, whose new and humanly affective sentiment, infused atmospheric effects and sweet colourism took Italy by storm; he was then eclipsed with the establishment immediately afterwards of the High Renaissance style, which Vasari called the modern manner, in the paintings of Michelangelo and the mature works of Raphael in the Vatican. From that time his name virtually disappeared until the reassessment of his reputation that gathered momentum in the 1890s